February 5, 2010

The RPM Challenge: Make An Album In A Month

by Robin Hilton

It's February again, which means it's time to write and record another album. This has become a annual ritual for me and Bob Boilen (and thousands of others around the world), all of us taking part in what's called the RPM Challenge. The Wire, a weekly music magazine in Portsmouth, N.H., started the RPM Challenge in 2006 as an open invitation to musicians everywhere to stop procrastinating and make a full album from scratch in just 28 days. The first year, 165 bands participated. This year, more than 2,000 are doing it.

When everyone's finished, listening parties are held around the world. Bob spoke to some of the participants via Skype after the 2007 challenge:

Continue reading "The RPM Challenge: Make An Album In A Month" »

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February 3, 2010

The Gun Show: A Winter Workout Mix

by Robin Hilton

I know you've probably been wondering where all the great workout music is in the world. Well look no further! I've put together a list of some serious fat-burning tunes, along with a photo gallery with suggested exercises. Maybe if you're lucky, you'll build some heavy artillery like I have.


All Songs Considered producer Robin Hilton shows off his guns. (Credit: May-Ying Lam)

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Jay Reatard Autopsy Results

by Bob Boilen

The death of young musician Jay Reatard last month was a result of "cocaine toxicity." The autopsy report also says "that alcohol was a contributing factor in his death."
That autopsy was released this morning by Shelby County Medical Examiner Karen E. Chancello. The Memphis musician was found dead in his bed on January 13th.

Jay Reatard was born Jimmy Lee Lindsey Jr. He was just 29. For more on Jay Reatard, and to read thoughts from the NPR Music community, go here

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February 2, 2010

I Heart Breakup Songs

by Bob Boilen

Valentines Day is almost here. Normally we use the occasion to feature love songs on All Songs Considered. But this year, the gang has decided to do breakup songs instead. We'll post that show on All Songs Considered on Feb. 8.

I quickly put out a call on Twitter @allsongs: Tell us a favorite breakup song. In 15 minutes, I had a ton of suggestions including the ones listed below. Feel free to add your own to the list, using the comments section.

"The District Sleeps Alone Tonight" by The Postal Service

"Parting Gift" by Fiona Apple

"No Children" by The Mountain Goats

"Leave" by The Swell Season

"Pictures Of You" by The Cure

"I Want You Back" by Jackson 5

"I'm Not Crying" by Flight of the Conchords

Tell us your favorite breakup song, and listen to the show on Feb. 8.

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February 1, 2010

My Morning Jacket To Tour With The Preservation Hall Jazz Band

by Will Butler

The Preservation Hall Jazz Band has announced plans to tour with My Morning Jacket for nine Southeastern U.S. dates, beginning in April. The band collaborated with MMJ frontman Jim James, less than a year ago, for a performance in New Orleans' French quarter. Two cuts from that night made it onto the forthcoming benefit album from the band, which is featured on the latest All Songs Considered.


The Preservation Hall Jazz Band (Credit: Shannon Brinkman)

The members of the historic jazz band are longtime fans of Jim James. After their concert with him last spring, PHJB leader Ben Jaffe said in a band press release that "I couldn't have imagined Jim fitting in any better with the guys at Preservation Hall... [he's] like our long lost cousin coming home for the first time." The PHJB worked with dozens of artists during the past five years to create the album, including Del McCoury, Jason Isbell and Pete Seger. It'll be released on Feb. 16. and proceeds will go to Preservation Hall's outreach and education program for children.

For Jaffe, Preservation Hall is a family affair. His parents founded the venue in 1961 as a haven for the protection and preservation of New Orleans music. The band has toured for close to fifty years, producing a number of well-known jazz artists. Preservation Hall fell on hard times in 2005, with the economic downturn that came following Hurricane Katrina, and closed its doors for several months. You can catch the Preservation Hall Jazz Band perform twice a day in New Orleans, or try to make it to one of their dates with My Morning Jacket this Spring:

Apr. 20: Birmingham, AL (Alabama Theater)
Apr. 21: Nashville, TN (Municipal Auditorium)
Apr. 23: Atlanta, GA (Chastain Park)
Apr. 24: New Orleans, LA (Jazzfest)
Apr. 27: St. Augustine, FL (St. Augustine Amphitheater)
Apr. 28: Charleston, SC (Family Circle)
Apr. 30: Raleigh, NC (Koka Booth)
May 1: Columbia, MD (Merriweather Post Pavilion)
May 2: Columbus, OH (LC Outdoor Pavilion)

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January 29, 2010

Video Premier: Fredrik's 'Viskra'

by Robin Hilton

The Swedish band Fredrik just posted an amazing new video for the song "Viskra," from the duo's new album Trilogi:


The video was directed by Dutch filmmaker Iris Piers. I suggest watching it in "full screen" mode. For more on Fredrik, and to hear another track from the new album, check out the latest episode of All Songs Considered.

Fredrik is also on tour now. You should definitely check them out if they're making a stop nearby:

13 feb -- Washington DC -- Crab's Claw
14 feb -- New York -- Mercury Lounge
15 feb -- New York -- Piano's
18 feb -- New York -- Union Hall
19 feb -- New York -- Permanent Records
20 feb -- Baltimore -- Metro Gallery
21 feb -- Harrisburg -- Midtown Bookstore
22 feb -- Washington DC -- Black Cat
23 feb -- Philadelphia -- The M Room

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January 28, 2010

The Knife On Its Darwin Electro-Opera

by Lars Gotrich

What do Charles Darwin, a Swedish synth-pop duo, a Danish performance group and an opera singer have to do with each other? You can find out right now by streaming the entirety of The Knife's 92-minute electro-opera, Tomorrow, In a Year, as part of NPR Music's First Listen series.

Now, hardly anything conventional has come out of the Knife camp: The duo's records are for dancing, but in a room full of masked ne'er-do-wells; the live concerts are visual stunners with costumery and laser shows, but no one knows what the brother and sister look like; sister-half Fever Ray accepted an award recently, but with a melted face. But topping it all (for now) is Tomorrow, In a Year, a sometimes confounding -- in the best possible way, of course -- piece of work.

If you're still scratching your head after listening to the opera, you can hear an interview roundtable featuring The Knife and its collaborators Mt. Sims and Planningtorock below. With pitch-shifted voices (why not, right?), the four musicians explain the opera's origins, how Olaf Dreijer and Planningtorock mimicked animal sounds with synthesizers, and "non-representational represention" (your guess is as good as mine, smartypants).

Stream The Roundtable Interview With The Knife, Planningtorock And Mt. Sims.

Hear The Knife's Tomorrow, In A Year In Its Entirety

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January 27, 2010

New Video: Broken Bells Take "The High Road"

by Will Butler

Broken Bells has released its new music video for "The High Road." In the video, DJ Danger Mouse and The Shins' James Mercer wander all night along a desolate roadway, armed only with flashlights, while encountering oddities such as a little kid with a toy car, a surreal auto accident, and a burlesque dancer. The video was directed by Sophie Muller, who's done videos for Jeff Buckley, Weezer, Blur, and PJ Harvey, to name just a few.

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You've Never Heard U2's 'The Joshua Tree'?

Note: This is a recurring series in which we ask our unimaginably young interns to review classic albums they've never heard before. Our current intern at All Songs Considered is Will Butler.

by Will Butler

I've never been a real U2 fan. But any time I tell someone this, they invariably ask, "Well, have you heard The Joshua Tree? And when I tell them no, they're incredulous. So maybe this is the missing link.

I start with the cover. The black-and-white photo of the band members and U2 insignia are simple and interesting without being distracting. I'm a big fan of a black album cover: Like a black-and-white photo, it leaves more to the imagination, which I think is good for first impressions.

Hit the jump link to read more.

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January 26, 2010

Music In 2510: How Will It Sound?

by Robin Hilton

The other day, Bob and I were gazing out the window by our desks, watching layers of winter clouds glide silently by. (These are billable hours under the "inspiration" budget line.) Things got heavy pretty quickly when we began to ponder where all of this would be in 500 years.


The view from our office. (credit: Bob Boilen)

I figure it'll all be buried under a vast, turbulent sea, and that the only remaining life will be the gruesomely mutated aquatic creatures that slither beneath its oil-black surface. But Bob was more interested in imagining what music will sound like in 500 years. Here's what he offered:

"In 2510, music becomes the ultimate wallpaper. Every store and every building uses music as an identifier. Musicians write music for locations, venues, office buildings. It's Muzak's Muzak.

"Like so many awful things, this inspires a revolution in music. People get together underground with instruments made of string and wood, and voices altered by drugs, to make music much like the sonatas of the early 17th century. There is no audience for this music. Everyone is a participant."

When you think about it, music today isn't that much different from music 500 years ago, during, say, the Elizabethan era. It's still played on stringed instruments, with vocal harmonies and familiar melodies and chord structures. That said, I imagine that music in the next 500 years will become more and more amorphous and dissonant. We'll likely have machines that can produce the music for us, automatically mashing elements together so that everyone can have their own customized "songs." Musicians who compose actual songs with words and melody, and play those songs on vintage instruments such as the "guitar" and "bass," will be a novelty.

I love how the producers of the film Children of Men took the time to imagine what music might sound like in the year 2027:

What do you think? Look to the future and tell us what you hear.

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